Fantastic Beasts And Where To Find Them Script Pdf

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Unlimited access to the largest selection of audiobooks and textbooks aligned to school curriculum on the only app specifically designed for struggling readers, like students dealing with dyslexia, blindness or other learning differences. When Magizoologist Newt Scamander arrives in New York, he intends his stay to be just a brief stopover. However, when his magical case is misplaced and some of Newt's fantastic beasts escape, it spells trouble for everyone

Fantastic Beasts And Where To Find Them: The Original Screenplay By JK Rowling

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Log on to www. What is so wonderful about Comic Relief is that its costs are sponsored, therefore it does not take money for its own administration from the money given by the public. Thank you for buying this book!

All rights reserved. Published by Scholastic Press, a division of Scholastic Inc. No part of this publication may be reproduced, or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without written permission of the publisher. For information regarding permissions, write to Scholastic Inc. Scholastic Inc. Rowling is donating all royalties to which she would be enbtled.

The purchase of this book is not tax deductible. Comic Relief in the United Kingdom is not affiliated with the organizabon of the same name in the United States. His interest in fabulous beasts was encouraged by his mother, who was an enthusiastic breeder of fancy Hippogriffs.

Although almost solely responsible for the creation of the Werewolf Register in , he says he is proudest of the Ban on Experimental Breeding, passed in , which effectively prevented the creation of new and untameable monsters within Britain. Newt Scamander was awarded the Order of Merlin, Second Class, in in recognition of his services to the study of magical beasts, Magizoology.

No wizarding household is complete without a copy of Fantastic Beasts, well thumbed by the generations who have riffled its pages in search of the best way to rid the lawn of Horklumps, interpret the mournful cries of the Augurey, or cure their pet Puffskein of drinking out of the toilet. This edition, however, has a loftier purpose than the instruction of the wizarding community.

For the first time in the history of the noble publishing house of Obscurus, one of its titles is to be made available to Muggles. The work of Comic Relief U. Know, then, that we are not alone in recognizing the curative power of laughter, that Muggles are familiar with it too, and that they have harnessed this gift in a most imaginative way, using it to raise funds with which to help save and better lives — a brand of magic to which we all aspire.

Comic Relief U. Although Harry seemed a trifle reluctant to allow this book to be reprinted in its present form, our friends at Comic Relief feel that his small additions will add to the entertaining tone of the book. Newt Scamander, long since resigned to the relentless graffitiing of his masterpiece, has agreed. This fund was designed specifically to help children in need throughout the world. Wizards wishing to make additional donations should do so through Gringotts Wizarding Bank ask for Griphook.

I would like to take this opportunity to reassure Muggle purchasers that the amusing creatures described hereafter are fictional and cannot hurt you. To wizards, I say merely: Draco dormiens nunquam titillandus. I look back across the years to the seven-year-old wizard who spent hours in his bedroom dismembering Horklumps and I envy him the journeys to come: from darkest jungle to brightest desert, from mountain peak to marshy bog, that grubby Horklump-encrusted boy would track, as he grew up, the beasts described in the following pages.

I have visited lairs, burrows, and nests across five continents, observed the curious habits of magical beasts in a hundred countries, witnessed their powers, gained their trust and, on occasion, beaten them off with my travelling kettle. The first edition of Fantastic Beasts was commissioned back in by Mr. Augustus Worme of Obscurus Books, who was kind enough to ask me whether I would consider writing an authoritative compendium of magical creatures for his publishing house.

I was then but a lowly Ministry of Magic employee and leapt at the chance both to augment my pitiful salary of two Sickles a week and to spend my holidays travelling the globe in search of new magical species. The rest is publishing history: Fantastic Beasts is now in its fifty-second edition.

This introduction is intended to answer a few of the most frequently asked questions that have been arriving in my weekly postbag ever since this book was first published in Though this might surprise some first-time students of Magizoology, the problem might come into clearer focus if we take a moment to consider three types of magical creature.

Werewolves spend most of their time as humans whether wizard or Muggle. Once a month, however, they transform into savage, four-legged beasts of murderous intent and no human conscience. Trolls bear a humanoid appearance, walk upright, may be taught a few simple words, and yet are less intelligent than the dullest unicorn, and possess no magical powers in their own right except for their prodigious and unnatural strength.

The meeting hall was crammed with goblins who had brought with them as many two-legged creatures as they could find. As Bathilda Bagshot tells us in A History of Magic: Little could be heard over the squawking of the Diricawls, the moaning of the Augureys, and the relentless, piercing song of the Fwoopers. As wizards and witches attempted to consult the papers before them, sundry pixies and fairies whirled around their heads, giggling and jabbering.

A dozen or so trolls began to smash apart the chamber with their clubs, while hags glided about the place in search of children to eat. The Council Chief stood up to open the meeting, slipped on a pile of Porlock dung and ran cursing from the hall. As we see, the mere possession of two legs was no guarantee that a magical creature could or would take an interest in the affairs of wizard government. Once again, however, there were problems. Trolls who had been taught a few simple sentences by the goblins proceeded to destroy the hall as before.

Not until were definitions found that most of the magical community found acceptable. Acromantulas and Manticores are capable of intelligent speech but will attempt to devour any human that goes near them. The sphinx talks only in puzzles and riddles, and is violent when given the wrong answer. Wherever there is continued uncertainty about the classification of a beast in the following pages, I have noted it in the entry for that creature.

A year later the merpeople made the same request. The Ministry of Magic accepted their demands reluctantly. A glance through Muggle art and literature of the Middle Ages reveals that many of the creatures they now believe to be imaginary were then known to be real. The dragon, the griffin, the unicorn, the phoenix, the centaur — these and more are represented in Muggle works of that period, though usually with almost comical inexactitude.

However, a closer examination of Muggle bestiaries of that period demonstrates that most magical beasts either escaped Muggle notice completely or were mistaken for something else. Examine this surviving fragment of manuscript, written by one Brother Benedict, a Franciscan monk from Worcestershire: Todaye while travailing in the Herbe Garden, I did push aside the basil to discover a Ferret of monstrous size. As my nose was still swollen and bloody I was excused Vespers.

Muggle persecution of wizards at this time was reaching a pitch hitherto unknown and sightings of such beasts as dragons and Hippogriffs were contributing to Muggle hysteria. The International Confederation ofWizards argued the matter out at their famous summit meeting of No fewer than seven weeks of sometimes acrimonious discussion between wizards of all nationalities were devoted to the troublesome question of magical creatures.

How many species would we be able to conceal from Muggle notice and which should they be? Where and how should we hide them? The debate raged on, some creatures oblivious to the fact that their destiny was being decided, others contributing to the debate. This number was increased over the following century, as wizards became more confident in their methods of concealment. Magical Beasts in Hiding I t would be idle to deny that there have been occasional breaches of Clause 73 since it was first put in place.

Older British readers will remember the Ilfracombe Incident of , when a rogue Welsh Green dragon swooped down upon a crowded beach full of sunbathing Muggles. Fatalities were mercifully prevented by the brave actions of a holidaying wizarding family subsequendy awarded Orders of Merlin, First Class , when they immediately performed the largest batch of Memory Charms this century on the inhabitants of Ilfracombe, thus narrowly averting catastrophe.

Tibet and Scotland are two of the most persistent offenders. Muggle sightings of the yeti have been so numerous that the International Confederation of Wizards felt it necessary to station an International Task Force in the mountains on a permanent basis.

These unfortunate mishaps notwithstanding, we wizards may congratulate ourselves on a job well done. There can be no doubt that the overwhelming majority of present-day Muggles refuse to believe in the magical beasts their ancestors so feared. Even those Muggles who do notice Porlock droppings or Streeler trails — it would be foolish to suppose that all traces of these creatures can be hidden — appear satisfied with the flimsiest non-magical explanation.

So how does the wizarding community hide fantastic beasts? Luckily, some species do not require much wizarding assistance in avoiding the notice of Muggles. Then there are those beasts that, due to cleverness or innate shyness, avoid contact with Muggles at all costs — for instance, the unicorn, the Mooncalf, and the centaur. Other magical creatures inhabit places inaccessible to Muggles — one thinks of the Acromantula, deep in the uncharted jungle of Borneo, and the phoenix, nesting high on mountain peaks unreachable without the use of magic.

Nevertheless there are still plenty of beasts that, whether willfully or inadvertently, remain conspicuous even to the Muggle eye, and it is these that create a significant amount of work for the Department for the Regulation and Control of Magical Creatures.

This department, the second largest at the Ministry of Magic,9 deals with the varying needs of the many species under its care in a variety of different ways.

Safe Habitats Perhaps the most important step in the concealment of magical creatures is the creation of safe habitats. Muggle-Repelling Charms prevent trespassers into the forests where centaurs and unicorns live, and on the lakes and rivers set aside for the use of 9 The largest department at the Ministry of Magic is the Department of Magical Law Enforcement, to which the remaining six departments are all, in some respect, answerable — with the possible exception of the Department of Mysteries.

In extreme cases, such as that of the Quintaped, whole areas have been made unplottable. While unicorns and merpeople are only too happy to stay within the territories designated for their use, dragons will seek any opportunity to set forth in search of prey beyond the reservation borders.

Cases in point are the kelpie, whose sole aim in life is to attract humans towards it, and the Pogrebin, which seeks out humans for itself. Controls on Selling and Breeding The possibility of a Muggle being alarmed by any of the larger or more dangerous magical beasts has been greatly reduced by the severe penalties now attached to their breeding and the sale of their young and eggs.

The Department for the Regulation and Control of Magical Creatures keeps a strict watch on the trade in fantastic beasts. The Ban on Experimental Breeding has made the creation of new species illegal.

Disillusionment Charms The wizard on the street also plays a part in the concealment of magical beasts. Those who own a Hippogriff, for example, are bound by law to enchant the beast with a Disillusionment Charm to distort the vision of any Muggle who may see it. Disillusionment Charms should be performed daily, as their effects are apt to wear off.

Fantastic Beasts And Where To Find Them: The Original Screenplay

Rowling for the film of the same name. The cover artwork and interior illustrations were designed by Miraphora Mina and Eduardo Lima , the founders of MinaLima. The book does not contain Rowling's original version, but has been edited to align with the final theatrical cut of the film. As such it does not include any deleted or extended scenes and has been updated to incorporate ad-libbed or modified dialogue. The book is dedicated to the author's late father-in law who was a veterinarian. Rowling gives her appreciation of Steve Kloves and David Yates for their patience and help in creating the screenplay.


CONTENTS. Fantastic Beasts and Where to Find Them: The Original Screenplay. 1. Acknowledgements. Glossary of Film Terms. Cast and Crew.


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Fantastic Beasts and Where to Find Them: The Original Screenplay

Rowling under the pen name of the fictitious author Newt Scamander about the magical creatures in the Harry Potter universe. The original version, illustrated by the author herself, purports to be Harry Potter 's copy of the textbook of the same name mentioned in Harry Potter and the Philosopher's Stone or Harry Potter and the Sorcerer's Stone in the US , the first novel of the Harry Potter series. It includes several notes inside it supposedly handwritten by Harry, Ron Weasley , and Hermione Granger , detailing their own experiences with some of the beasts described, and including inside-jokes relating to the original series. In a interview with publisher Scholastic , Rowling stated that she chose the subject of magical creatures because it was a fun topic for which she had already developed much information in earlier books.

Fortunately, they no longer have to wonder as Rowling has confirmed that she just finished writing Fantastic Beasts 3. Taking to Twitter earlier today, the acclaimed author responded to a couple of fan messages, which is not unusual for the avid social media user. When one gushed about the second film, Rowling decided to share a bit of major information. ElisabethNeveux That's a very lovely thing to hear on the day I finish writing the next one. Thank you! Of course, the fan replies started flowing from there.


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